
Sant'Andrea al Quirinale
Sant'Andrea al Quirinale historical timeline
Last updated on October 4, 2026A seminary chapel on a hill, built by the most famous sculptor in Europe, who then liked it better than anything else he made.
Chronology
- Before 1658 — an earlier building stands on the site, and the Jesuits establish their novitiate on the Quirinal. Structural impact: the plot is narrow and faces a street on the hill's spine, which rules out a long nave. What you see today: the reason the church is wide rather than deep.
- — Bernini receives the commission from Cardinal Camillo Pamphilj, approved by Pope Alexander VII. Structural impact: the design is settled as an oval entered on its short axis. What you see today: an altar facing you the moment you step inside.
- — the church is built. Structural impact: the oval cylinder, the dome and the volutes that carry its thrust are in place. What you see today: essentially the shell as Bernini set it.
- — Guillaume Courtois paints the Martyrdom of Saint Andrew for the high altar. Structural impact: none. What you see today: the dark canvas that the stucco figure above appears to be escaping.
- — the interior decoration is finished, twelve years after the commission. Structural impact: the gilding, the coffering and Antonio Raggi's stucco are complete. What you see today: the gold dome and the figures climbing it.
- — the shrine of Stanislaus Kostka receives its urn of bronze and lapis lazuli. Structural impact: none. What you see today: the chapel of the Jesuit novice who died in this house.
Verified against Turismo Roma, October 2026.