
Villa Farnesina
Villa Farnesina Historical Timeline
Last updated on September 29, 2026Built in four years for a banker, decorated by the best painters alive, and later owned by kings, an ambassador and finally a scientific academy.
Chronology
- 1506–1510 — Baldassare Peruzzi, a Sienese artist and pupil of Bramante, perhaps aided by Giuliano da Sangallo, designs and erects the villa for Agostino Chigi, a rich Sienese banker and treasurer of Pope Julius II. Structural impact: a U-shaped plan with a five-bay loggia between the arms, entered through the open north-facing loggia. What you see today: the whole building, which was never substantially rebuilt.
- 1510s — Chigi commissions the fresco decoration from Raphael, Sebastiano del Piombo, Giulio Romano and Il Sodoma, on themes inspired by the Stanze of Angelo Poliziano, a key member of the circle of Lorenzo de' Medici. Structural impact: none to the fabric; everything to the interior. What you see today: the frescoes, in situ, in the rooms they were painted for.
- 16th century — a bridge over the Tiber is planned, to link the villa to the Chigi holdings across the river. It is never completed. Structural impact: the villa stays on its own bank. What you see today: a suburban villa that reads as detached from the city, which is what it was meant to be.
- 18th century — the villa passes to the Bourbons of Naples. Structural impact: ownership changes, the fabric does not. What you see today: the reason the frescoes survived — it stayed a prestige property rather than becoming a working building.
- — it passes to the Spanish Ambassador in Rome, Bermudez de Castro, Duke of Ripalta. Structural impact: none of consequence. What you see today: a villa that changed hands between people wealthy enough to leave it alone.
- 20th century — the villa becomes the property of the Italian state and takes in the Accademia Nazionale dei Lincei, a long-standing Roman academy of sciences. Structural impact: a private pleasure villa becomes an institutional seat with public rooms. What you see today: the reason the opening hours read like an academy's — mornings only, closed Sundays.
- — the villa also houses the Gabinetto dei Disegni e delle Stampe, the Department of Drawings and Prints of the Istituto Nazionale per la Grafica. Structural impact: the collection moves out. What you see today: rooms given back to the frescoes.
- — new opening hours and tariffs come into force. Structural impact: none. What you see today: the current 9.00–14.00 weekday pattern and the second-Sunday opening, both dated from this change.
Verified against Wikipedia, September 2026.