
Centrale Montemartini
Centrale Montemartini Historical Timeline
Last updated on September 29, 2026A power station that ran for fifty-six years, stood empty for thirty, and became a museum by accident.
Chronology
- — the plant is inaugurated by mayor Ernesto Nathan, with production beginning the following day. It is the first generating station of the newly created Azienda Elettrica Municipale, the forerunner of Acea. Structural impact: the shell, the clerestory-lit halls and the crane gantries a visitor walks under are all from this build. What you see today: the Hall of the Machines and its overhead travelling crane.
- — the plant is named after Giovanni Montemartini, former technological-services alderman in the Nathan administration and the leading theorist of municipal ownership in Italy, who died during a debate in the city council. Structural impact: none. What you see today: the museum's name, and a politician commemorated in a building rather than a statue.
- — two Franco Tosi diesel engines of 7,500 HP each are inaugurated, replacing earlier and weaker units. Structural impact: the largest single objects now in the museum are installed. What you see today: the two engine blocks that the statues in the Hall of the Machines stand between.
- Late 1930s — preparations for the 1942 Universal Exposition raise demand, and a third steam turbine of 20,000 kW is added with two Tosi-Steinmüller boilers rated at 45 atmospheres, requiring a new boiler hall. Structural impact: a whole additional hall is built onto the plant. What you see today: the Boiler Room, which holds much of the finest sculpture — it exists because of an exposition that the war cancelled.
- — under the occupation of Rome, Corrado Puccioni, the plant's original designer and by then general manager of Acea, is forced to resign for opposing the transfer of the machinery to Germany. The plant survives Allied bombing and is left as the only power station the city can rely on. Structural impact: the machinery stays in Rome, which is the reason there is any to look at. What you see today: engines that were nearly shipped out of the country.
- — obsolete and no longer economic, the plant is decommissioned after fifty-six years. Structural impact: generation stops; the building begins roughly thirty years of abandonment and miscellaneous use. What you see today: a plant that was never modernised out of recognition, because it was simply switched off.
- — with the Capitoline Museums under major renovation, the Sovrintendenza Capitolina moves a selection of sculpture into the restored plant and opens the exhibition The Machines and the Gods. Structural impact: Acea's restoration of the halls and machines is adapted for museum use. What you see today: the entire premise of the place, which began as a temporary measure.
- — the experiment is made permanent and the Centrale Montemartini becomes a museum in its own right. Structural impact: new spaces are opened and works brought out of storage. What you see today: galleries that were added after the original exhibition.
- — a new hall opens after renovation, displaying the carriages of the Train of Pius IX. Structural impact: the museum gains a hall for objects that are neither classical nor industrial. What you see today: the papal train on the ground floor.
Verified against Wikipedia, September 2026.